I am wary of guitar solos. Maybe because I grew up through grunge. Maybe because there are a lot of technical players who aren't bringing something fresh to the art. So I went in thinking there would not be guitar solos on the Watershed Project.
And while there aren't really much of what you'd call traditional guitar leads happening here, we ended up giving Chris some space on the record to try stuff within and he pushed the boundaries of the key and timing in such a way that the leads are interesting and energizing -- he's a good enough player to push the edges and still land squarely where and when he needs to (as opposed to some other players, myself included, who can sometimes get the plane off the ground but their landings are spotty, often requiring the use of parachutes and other methods of escape).