Wednesday, February 16, 2011

Leaving California

Untitled from Jonathan A Reuel on Vimeo.



Shot this last week. Reedley, CA has been great. Here's one of my favorite spots, the river close to our little apt. Going to miss it. Found out today Barry McGuire lives in this town; dang, now it's too late to do Eve of Destruction part II with him...

Monday, February 14, 2011

Carbon Blanket on Watershed?

Untitled from Jonathan A Reuel on Vimeo.



Here's a very early version of Carbon Blanket which may make it onto this record called Watershed I'll be recording next week. We'll see. I've got 20 songs competing for 10 or 12 spaces. Thoughts? Remember this is a rough early version...

Saturday, February 12, 2011

Naming this Record

I want to name this recording something with "Watershed" in it since the project brings together songs, ideas, art and images -- like water draining from all over into one river or lake.

So what name exactly? Watershed? The Watershed? The Watershed Project? Watershed Change? Watershed Down?

Bring your great ideas (like you did for JRL...)

So what is a watershed?

Wednesday, February 9, 2011

Clip of song from upcoming album

Untitled from Justin Clemons on Vimeo.



Here's a video of one of the songs that will most likely make the album, albeit in a very different form. The song is called "Keep Me" or "Thumb." Getting pretty excited -- almost ready to post my Kickstarter page and started booking the spring tour.

Video by Justin Clemons, one of my heroes. Seriously, though, photography is an adventure, an artform, a discipline and a dialogue with God for this guy. He did a photo shoot for the upcoming tour -- I'll blog about it at some point. Amazing.

Friday, February 4, 2011

Taking Lessons

I talked to a friend today about taking guitar lessons. I've got three months until the tour (and two weeks until the studio) and I've got a lot of room to grow. It's been a LONG time since I studied guitar. I've got some very specific things I want to work on (timing and lead playing) and it will be a challenge to find the time to make it to the next level, but I'm leaning towards trying to make it work.

There is no try, only do.

Becoming Fountains

It's not that this love (capital L) is earned, or that it is only available to the gifted -- on the contrary: it's more of a sliding scale. The gifted or strong have to put out much more to unlock it. It's like addiction in that it takes more and more to get the same result -- only the more that is required is positive (like stronger muscles from exercise or better playing from practicing) and the result is always more than enough, like a faucet that doesn't run out (as opposed to the constantly reducing positive feelings that are associated with addiction). With this love there's always an endless supply -- the issue is what it takes to tap into to it.

It feels to me like receiving divine love is often closely connected with giving everything you have, pouring out all your attention, energy, gifts and skills however great or small, and in the vacuum created by that pouring -- or to switch metaphors -- in the gasping space after that last pushup you couldn't hardly do -- in rushes this overwhelmingly generous (unending even) flow of life -- filling that empty space, spilling over into the cracks and crevices and out to other places in need. It's as if in the emptying of ourselves God not only pours into us but begins to make us a fountain, a spring, a source to bring love (which is life: living water) to people, situations, and other deserts.

Wednesday, February 2, 2011

Playing as Trio part Two

The rythm section was powerful, loud, locked in and they brought the funk. My voice went to those places at the edge of its range that it has to stretch and fight for but which somehow are part of ploughing into that place where people forget about themselves, loosen up and focus on something greater. Together with the band and the audience, and in my opinion God -- it created space. Or space opened up.

When I walked off that stage the room felt different. Like people were more themselves. What the preacher said was part of that too. And how the people listened. There was a riskiness and a sense of rest that cohabited both the music and the word.

In the midst of playing the music I alternatingly listening with glee to the bass licks, wholehearted aimed my being towards God, and received from that infinite supply of love that surrounds us all and is offered to us at all times and all places -- and yet which, I think somehow, the receiving or ingesting of often takes an act of will, discipline, courage, focus, abandonment, or surrender.